http://sandrakrausegomez.com/Brick_Paravent.php i am tripping over sandra’s small-model sculptures. this particular mobile brick wall snake-like zig zags it’s way accross any tiled or wooden or grassed surface that will carry it. walls are all over the place, human made, promised ones, past ones, mental barriers. this one you can step over, even walk around, but can
: in / 2020 time’s not holding anyone / anywhere / time : is threshing / forward ; the menu is open / the serpent has spoken // images still wet stick to / the skin : spotted / stitched / exposed behind thinly veiling / weaves // stacks of still to be / spelled
(English version further down) I en efterhånden ældre udgave af Weekendavisen fra 2015, jeg redede ud af bunken af brændepapir i mine forældres svenske stuga her for nogle dage siden, beskriver Thorkild Bjørnvigs søn Bo Bjørnvig hvordan moderniteten på en ganske konkret måde gjorde indtog i hans fars hus i Gl. Skagens dengang ensomme klitlandskab, efter
walter benjamin – bücherverzeichnis der gelesenen schriften 1912-1940, seiten 20-21 (page 20-21 of w.b.’s book register of read texts) brecht/benjamin adk-berlin 28 jan 2018
pre-ish internet “Flyer” flyers from “Nachtleben Berlin 1974 bis heute“, Metrolit 2013
My mother used to keep this brand of vinegar at our place in the southwestern suburban sprawl of Aalborg. It was mainly used for the washing machine as a replacement for softener, which also meant that the washing didn’t really smell perfumed nor did it really soften the clothing much. Actually, come to think of
“One can always get out of oneself”, Ms Gronau told the local magazine WIR (1/2017). She was referring to her love of theatre and performing. I’ve known Ms Gronau for a few years now. She might be using a wheelchair, but that’s not refraining her from getting out there, being part of a theatre
I had no idea that the U.S.American painter Philip Guston had literature as close to heart as I found out he had when I visited the Gallerie d’Accademia show in the Dorsoduro area of Venice in May 2017 curated by Kosme de Baranano.